PhD Candidate in Art History & Criticism at Stony Brook University Independent Curator Writer

Curatorial

 
 
 
2.jpg

The Appearance of Clarity: Works in Black and White

June 20th - August 31, 2014

HELEN DAY ART CENTER

This exhibition explored the subtle, double, and hidden meanings the apparent clarity of black and white might obscure. The show included, among its ten contributors, an artist who made paintings from redacted government documents, a sculptor who forged metal into unreadable script, and a painter who rendered a portrait in the form of a novel. With its visual and conceptual twists and turns, the exhibition invited viewers to encounter these works in all their lucid complexity.

Artists: Louis CameronSharan ElranMarietta HofererJenny Holzer, Sarah Horne, Chelsea MartinLynn NewcombSuzy SpenceAndreas Rentsch and Nan Tull.

 
winooski3.jpg

OPEN HOUSE

June 22 - August 4, 2012

WINOOSKI POP UP GALLERIES

“Open House” was an art exhibition that explored “home” as a concept detached from the familiar architecture of the house. Artists Angelo ArnoldKate Brandt, and Mary Zompetti each approached the meaning of “home” from richly varied perspectives. Arnold’s “familiarture” upholstered sculptures, Brandt’s insightful, darkly humorous video works, and Zompetti’s ephemeral, meditative photographic works re-interpreted the space and essence of “house” and “home”, grounding the viewer in a contemplative space. The exhibition invited viewers to see “home” as a concept open to interpretation, and a space open to exploration.

 
chapters_invitation.jpg

CHAPTERS

August 17 - September 18, 2012

FURCHGOTT-SOURDIFFE GALLERY

Abbey Meaker and Amanda Zackem create works that remain mysterious, even as they confront the viewer with a striking immediacy. Both artists’ works suggest narratives, yet refuse a single storyline. Instead, they drift on a dark current; like chapters unbound from the novel’s arc, these images hover, loosed from the imperative to resolve in a denoument. Retaining the intensity of a plotline without succumbing to its linear progression, these works unfurl in a liminal space between storytelling and secret-keeping.