Panel Co-Organizer, Association for Art History Conference April 2019
Fugitive Visions: Art and the Eidetic Image
Organizers: Elizabeth Buhe, Institute of Fine Arts (NYU) and Amy Rahn, Stony Brook University (SUNY)
Eidetic imagery – vivid pictures seen ‘in the mind’s eye’ – has been a powerful and ongoing source of artistic inspiration. Yet, modernist privileging of disembodied vision and positivist opticality has suppressed the realm of the eidetic: an expansive category that includes subjective spiritual, mystical, synesthetic, hallucinatory, and visionary experience.
This panel solicits papers addressing artists past and present who have employed eidetic imagery in the creation or content of their work, as well as from scholars crafting methodological approaches for understanding and historicising artists’ visionary processes. Can art stimulate eidetic experience in its beholders? How might a hermeneutics of the eidetic contribute to a more expansive art history? How do artists represent the invisible? What perceptual modalities and sensory crossovers are engaged in creating or apprehending such art? Can the highly individual nature of reverie or inner vision paradoxically allow artists to communicate with art’s diverse audiences?
Many art historical moments invite such questions. Prehistoric rock art’s intricate patterning is believed to derive from forms visualised during altered states, while, in the 19thcentury, Symbolists instrumentalised individual visions in pursuit of sweeping artistic insight. More recently, Joan Mitchell claimed she painted ‘from remembered landscapes that I carry with me’. Following the work of scholars like Marcia Brennan, Todd Cronan, Linda Dalrymple Henderson, and Martin Jay, this panel invites papers that implement or productively critique methodologies such as affect, feminism, neuroscience, new materialism, and phenomenology to excavate traces of eidetic experience that haunt art’s past, but not yet its history.
Panelist, Southeastern College Art Conference (SECAC) 2018
Panel organized by Catherine Dossin, Purdue University
Paper: "'I Hope You Do Not Think It Too Bold of Me’: Women Artists on Women Artists of America, 1707 – 1964"
Panelist, Feminist Art History Conference 2018
Paper: “’This Particular Very Dark Thing’: Joan Mitchell’s Black Paintings”
Panelist, College Art association (CAA) Conference 2018
Paper: “Joan Mitchell’s Equivocal Feminism”